Hosts, on the film they commissioned.

“I commissioned Look for my Alfama apartment. Five photographs from the listing, back the next evening as a film. 5/5 — I would buy it again without thinking.

The rooms had always looked colder in stills than they are. ClipCasa kept the street, the tiles, the kitchen, the bed by the window. Nothing was rebuilt. Guests now arrive already knowing how steep the rua is, and they book anyway.

I am very happy with the work. It is the house I have, shown properly. I have recommended the studio to two other hosts in the neighbourhood.”

“I bought Look for a two-up two-down in Chorlton. Four listing photographs. Fifteen seconds. 5/5 — clear, on time, and exactly what I asked for.

I did not want a sunnier house than the one I own. They kept the grey light and the wet street. A couple from Leeds wrote that they booked because it looked like somewhere they could put the kettle on. That is the point of this terrace.

Payment was in pounds, as described. The file arrived the following day. I am very pleased and I have taken a paragraph of copy off the listing. The film does the talking.”

“I commissioned Walk — the longer film — for a small flat in Santa Teresa. 5/5. I wanted every room included, including the kitchen guests used to be surprised by.

My old listing was all view. The film starts in the street, then the shutters, then the kitchen, then the bed and the sliver of sea. They did not invent a larger apartment. That honesty has saved me a great deal of messaging.

I am very happy. A pair from São Paulo wrote that they already knew how the shutters work. That is the review I keep. I would use ClipCasa again without hesitation.”

“I bought Walk for our riad. From the street it is only a door; inside there is a court, a kitchen, two rooms. Photographers always wanted a palace. 5/5 — ClipCasa did not add a pool we do not have.

I sent the door, the courtyard, the kitchen, the bedroom. The film is those rooms, in that order. Guests now arrive already quiet, which is how this house wants to be entered.

The process was simple: I wrote, I paid in pounds, the file came the next day. I am very satisfied and I have asked them to film a second property when we open it.”

“I commissioned Look — the shorter film — because the machiya is small and I did not need a long cut of the same three rooms. 5/5. Precise, and finished within forty-eight hours.

The garden is a strip of moss, not a park. The film shows the lattice, the tatami, the light on the shoji. Guests now know to take their shoes off in the right place. I have stopped writing long descriptions that made the house sound larger than it is.

I am very happy with the service. A guest from Osaka booked after watching it on the train. That is enough. I will return for Stay if we open the annex.”